Thursday, August 31, 2006

Nationalist Tide

Koichi Kato repeated again that a right-wing nationalist tide threatens Japan. He told the Foreign Correspondents Club yesterday that the right-wingers are like drifting balloons. Interesting comparison.
Kato said Japan had lost its moorings and that individuals, disconnected from traditional family, work and community anchors, were floating like helium balloons on air currents.

"Even in the slightest breeze they will all start floating in the same direction," the one-time prime ministerial candidate said.

"And if there is a nationalistic mood that takes over the country, all of these balloons will begin to drift in a very strong way along this current."

Right-wing nationalist tide threatens Japan, warns political veteran (The Age 2006/08/29)

Friday, August 25, 2006

Japanese Standard

This speaks a lot about the quality of Japanese products and their quality standards.

They're still laughing about this at IBM. Apparently the computer giant decided to have some parts manufactured in Japan as a trial project. In the specifications, they set out that they will accept three defective parts per 10,000 .

When the delivery came in there was an accompanying letter. "We, Japanese people, had a hard time understanding North American business practices. But the three defective parts per 10,000 have been separately manufactured and have been included in the consignment. Hope this pleases you."

Wednesday, August 23, 2006

Japanese Anecdotes

My father was taking a bath when he suddenly shouted, "Good heavens! I have a nosebleed coming from somewhere!"

I wonder, just where on my father could a "nosebleed" have come from...?



On the Hankyu Railway train, a boy of about 3 looked liked he had to pee.

Child: "Mama potty."

Mama: "Why don't you tell me sooner [hayaku]!"

Then the child thought of something and said rapidly [hayaku], "Mamapotty."



On the airplane to Okinawa, my father said pompously, "All of the islands of Okinawa have 'reference fish' [sanshouuo]!"

That should be "coral reef [fish]" [sangoshouuo]!!



On the "If I don't do it, who will?" sign inside a certain factory, the voicing marks on the ga of "who" were shaved off [changing dare ga, "who," to dare ka, "someone"] , making it "If I don't do it, someone will."

And this company's future will be....



The other day my sister was feeling blue because a boy had dumped her, so to comfort her my father meant to say "A person isn't [just] a face" but said "Your face isn't human."



My mother was watching TV when a beautiful female announcer came on. My mother said with a smile, "It'd be nice if someone like that married into our family."

But in my family the only guy is my father. Just who does my mother want a bride for?



At the confectioner's my mother asked for the country-style (crushed) sweet red-bean soup, and I asked for the strained sweet red-bean soup.

When the clerk asked, "Who (dochira) had the country-style (inaka)?" [but possibly "Where (dochira) is your hometown (inaka)?"], my mother answered instantly "Niigata prefecture."



During a marital spat, my father meant to say to my mother "Idiot!" [bakamono] but mistakenly shouted "Ghost!" [bakemono].

The quarrel got much worse.



When my mother gets a headache, she puts ice on her forehead.

Just the other day in the middle of the night, the pain got pretty severe. Through the darkness with her head swimming, she went to the kitchen. From the refrigerator she took out a plastic bag of ice that she'd put there in advance, put it on her forehead, and went back to sleep....

The next morning when she woke up, thawed squid had rolled onto her pillow.



One time when the family was gathered for dinner, my dad, who was mad about something, meant to say "Thanks to whom do you think you're able to eat this meal?!" but shouted "For whose benefit are you eating this meal?!"

My sister and I answered, "For our own benefit."

Saturday, August 19, 2006

Japan Railway passengers to generate electricity at train stations

The East Japan Railway Company (JR-East), as part of research aimed at developing more environmentally friendly train stations, is testing an experimental system that produces electricity as people pass through ticket gates. JR claims that this sort of human-powered electricity generation system may provide a portion of the electricity consumed at train stations in the future.The ticket gate electricity generation system relies on a series of piezo elements embedded in the floor under the ticket gates, which generate electricity from the pressure and vibration they receive as people step on them. When combined with high-efficiency storage systems, the ticket gate generators can serve as a clean source of supplementary power for the train stations. Busy train stations (and those with large numbers of passengers willing to bounce heavily through the gates) will be able to accumulate a relatively large amount of electricity.

JR-East, who worked with Keio University to develop the system, claims that in addition to being put to use as an independent power supply that does not require hardwiring, the system can also be used as a way of measuring the traffic flow through ticket gates.

The system is being tested at the JR-East head office in Shibuya, where it is installed at the entrance to the reception area on the 4th floor. As visitors pass through the gate, a lamp lights up, signifying that electricity has been produced. Testing of the system will continue until August 11.

Thursday, August 17, 2006

No Doubt

This might have been posted sometime in the distant past, but I still get a kick out of it...

You've Been In Japan Too Long When...

- You think that "Christmas" has four syllables.

- You start falling in love with the voice recording on the ATM machine, though you have no idea what she's saying.

- $16.75 a person sounds like a great deal for a movie, even if you do have to stand up.

- You run into a store and leave your scooter outside on the curb with the key inserted and the motor running.

- You start buying Carpenters CD singles -- and REALLY enjoying them!

- You start buying Beatles CDs -- and really enjoying THEM!

- You can't eat a Hamburger without green tea and miso soup.

- You order a pizza and ask for raw tuna, extra octopus and some pineapple on the side.

- You can't take a walk on even the shortest nature trail without first suiting up in a full yodeling outfit and stuffing a backpack full of rice balls and sake.

- You keep telling anyone who will listen that Sumo on TV is nothing like the real thing live and up close.

- You don't feel ripped off when you find a coin-operated TV in your $80/night business capsule hotel tube.

- You grow your sideburns long and slick your hair back like Elvis and think its cool.

- You think you're lucky to live near a building which has a disco in the basement (B1) and first floor, KARAOKE box rooms on the second and third floors and love hotels on the fourth, fifth and sixth floors.

Secret Camera: A Marine's View of Hell

By: Kirk, Terence S., Noonan, Carolyn, World War II, Sep2006, Vol. 21, Issue 5

IT WAS DECEMBER 8, 1941. A bitter cold morning from the north wafted across our duty station in Chinwangtao, China. The North China Marines were the only U.S. servicemen left in China. The 1,000 men of the 4th Marines had already left Shanghai.

We were all that remained to "show the flag," and we eagerly awaited the arrival of SS President Harrison, which was supposed to pick us up in two days. Our heavy weapons had already been collected and packed for transport, and we were for all practical purposes unarmed. Keeping an eye on our pitifully small band as we waited was a garrison of Japanese soldiers, whose barracks were near our own.

A little after 0400 hours that morning, I was busy getting ready for my turn as corporal of the guard when my preparations were interrupted by "Birdlegs" Brown yelling: "Listen, listen! The Japs have bombed Pearl Harbor! We're at War!"

Almost instantly I was part of a throng of men racing to the rail yard to retrieve our weapons. Upon reaching the crates, however, we discovered that the desperately needed arms had already been packed in Cosmoline and, what was worse, the thick gooey substance had frozen solid in the cold.

"Duck Butt" Wilson suggested that we should try to melt the grease off the weapons by putting them under a hot shower. It seemed like good old American ingenuity would save the day. While some of the men attended to this task, others managed to get enough machine guns working to establish a thin perimeter. Then it was just a matter of waiting for the enemy.

While we waited, our commanding officer, a Lieutenant Huizenga, fired off a message to headquarters: "We are surrounded. Issue in doubt." He ordered me to wait by the radio and report to him on the double when orders came in.

It was not long before I could see the enemy advancing toward us across the open parade ground. Planes flew high overhead, but we knew they were not ours. As the Japanese got closer, I could see a parlay party carrying a white flag and then saw Huizenga march out to meet them.

Still waiting for a radio reply, I watched the lieutenant on the field with the enemy. There appeared to be about 2,000 troops in formation behind the party--clearly a show of force intended to impress our tiny group of 23 Marines. My gaze was interrupted by the radio clicking on and Lareau, the radioman, scribbling out the message as it came in. He handed it to me, and as I crossed the field toward my lieutenant, I could not help stealing a glimpse at the transmission: "Comply with demands. W.W. Ashurst."

Secret Camera: A Marine's View of Hell (Photo)
Marine Terence Kirk points out a news headline at war's end from a hospital in Hawaii. Behind the smile, however, Kirk was deeply troubled by an order he had received to keep silent about his time as a slave laborer, including the photographs he had taken secretly and at great risk with his handmade pinhole camera.

Once I reached the lieutenant, I heard a Japanese officer ask, "Lieutenant, what are your intentions?" Thinking it only proper to give the lieutenant a chance to utter his reply, I delayed handing him the message. As I expected, his answer was blunt. "Unless we receive orders to the contrary," he said, "we will stand and fight." I then had the unfortunate duty to hand him the message. The look on his face showed his crushing disappointment. I am sure that he was not alone in thinking, Marines never surrender. We fight and die, like Marines.

Huizenga, however, was a professional, and orders were orders. Without flinching, he handed over the order to the enemy officer. "How long will you need to prepare your camp for surrender, lieutenant?" "Twenty minutes" was the reply.

We spent our last minutes of freedom gathering up our weapons. Before we turned them over, we were sure to dump the firing pins into the cesspool. Our detail complete, Huizenga called us together and said: "Listen to me, men. Take all the warm clothing you can. I fear this will be a long war."

At the appointed time, the Japanese troops marched into camp. Their officer announced that we would be leaving for Tientsen within the hour. After a short flag-lowering ceremony, Wilson and I struck the colors as the men stood at attention. I could not hold back my emotions as the flag came down.

Still upset at being ordered to lay down our arms without a fight, we learned when we arrived in Tientsen that Colonel Ashurst had been duped by the Japanese. They had told the colonel that all the remaining Marines in China, who were largely embassy and legation guards, would be regarded as noncombatants and be given diplomatic immunity, which would have permitted us to be repatriated. As we knew too well, it had been a lie.

My first duty station in North China had been at Tientsen, and back then I had a Chinese girlfriend named Minnie. She was a "Sing-Song" girl at the local theater. Strangely, the Japanese let our Chinese friends come into the barracks to visit, and eventually Minnie showed up. I gave all my money to her because I knew that the Japanese would have taken it away from me, and I was sure Minnie would be able to put what little I had to better use than the Japanese would.

We stayed in Tientsen until we ran out of food. By this time we had been joined by the Peking Embassy guards and there were now 203 of us. Major Brown complained that we needed to be fed, and our captors responded by giving us a 50-pound bag of potatoes and a smaller bag of onions. Needless to say, that amount of food did not last long. Although we did not know it then, the camp at Tientsen was luxury compared to what came next.

Our bellies empty, we were packed 40 men each into five narrow-gauge railway boxcars and shipped to Woosung, near Shanghai. The trip took two days and two nights. In the dead of winter, with temperatures far below zero, the close body contact helped keep us from freezing to death. On the second day, they stopped the train in a small town to parade us around in front of the locals. The towns-people, to their credit, were not impressed by this obvious effort to humiliate us, so our guards herded us back to the train. As we climbed back into the cars, we each received a little tin of vegetables packed in water. It was the only food we had for the next two days.

It was January when we arrived in Woosung, and the camp was in the middle of a swamp. Everything was frozen at the time, but when spring came, so did the rats, mosquitoes, flies, bed bugs and every other creature that lived in a swamp, all of which feasted on us. The vermin also brought with them all sorts of diseases. Nourishment was a teacup of millet three times a day and a watery soup. Everyone began losing weight. I came down with dysentery, malaria and dengue fever all at the same time. I almost died, and would have had it not been for Dr. Tyson, our chief medical officer. He went to the Japanese and managed to talk them out of a few opium capsules, which he rationed out to me. Because I could not work, I had been put on half rations, and by the time I "recovered" I had lost 70 pounds and weighed less than 100 pounds.

Shortly after my recovery, I was among the 36 POWs selected to go to Japan to work as "technicians" in our enemies' war industries. A handful of us North China Marines, plus Wake Islanders, accounted for those who would be shipped out on Miike Maru. The ship was not marked as a POW vessel, and we all prayed that a U.S. sub would not find us before we reached our destination.

Somehow the Japanese had found my record book, which said that I was a welder, but I wasn't actually a welder. When I got to Japan I was assigned to work at the Seitetsu Steel Mill in Yawata and a mistake had been made in my record book.

On August 15, 1943, we endured our first bombing raid. The warning siren sounded at 1900 hours, just as we got to work. Nobody paid any attention to it, then at 2200 the attack signal sounded. Even then, no one became alarmed. About 15 minutes later, our guards came running across the field from the factory yelling for us to follow them. You could tell they were excited.

We turned off our torches and followed the soldiers into the factory. As we entered the grounds, we began hearing bombs exploding to the west. When we got deep into the factory, the leading soldier ducked into a building. We all followed. Inside there was a big hole, about 15 feet deep in the middle of the floor. We piled in--waiting with mixed emotions, hoping our bombers would blow the hell out of everything in Japan except us.

A 500-pound bomb exploded very close to our position. There was a bright orange flash and the air was instantly filled with dust, pebbles and rocks. It was terrifying. Once it was over and we were taken outside, we saw that the bomb had blown most of the sheet steel from the buildings close by. The realization of how close we came to being blown to bits rattled all of us. Without much delay, we were sent back to work.

Secret Camera: A Marine's View of Hell (Photo)
This Japanese work-release card diagnosed Kirk with malaria. Being released from forced labor was often a mixed blessing. While it released prisoners from backbreaking labor, it also meant that a prisoner's rations would be cut In half. Kirk remembered that this was often a death sentence for his undernourished fellow inmates.

One spring day our toils were interrupted by an unexpected challenge from our overseers for a "field day." They had publicized the event and expected a large crowd. About 10 Allied nations were represented at this camp at Yawata, so we selected four men from each to form teams to run a relay race. The Marines represented the United States, and much to our captor's dismay, the emaciated Marines won the race by a quarter of a lap. We bubbled over with pride. It was a small victory but nonetheless sweet.

We had another interpreter in camp, a man named Hasigawa, who was definitely not well-disposed toward us. He had been assigned to accompany us on the day of the race and after our unexpected victory approached our group and said, "You are winners, and winners must have humility." With that, we received a stinging slap to the face. This time, it didn't seem to hurt much. The next day, they cut our rations.

We were soon back to work. The citadel in Yawata where we lived was about one mile from the mill, and straight uphill. When our rations were cut back we began to worry that some would die just climbing up the hill. We had already lost two merchant seamen. They were too old for this kind of life.

Later in the year, we were moved to Kokura to work in Fukuoko Number 3. We were still employed by Seitetsu Steel, but we did not have to climb the hill to work, instead we rode in an open gondola, rain or shine.

The food they were feeding us had very little nourishment, and I could feel myself wasting away and hatched a plan to get a little something more substantial to eat. Through a middleman, I contracted with an enemy soldier to give me 10 mess pails of rice with beef or chicken stew mixed in it. In exchange he would get my last possession, an ornate bathrobe that I had had made in China for my brother Art.

Secret Camera: A Marine's View of Hell (Photo)
LEFT: These two men are suffering from beriberi due to malnutrition and a lack of sufficient medical care. The man on the right was so weak that when the picture was taken he was held up by a man standing behind him. He died the next day. RIGHT: After taking this picture of the power plant, Kirk was forced to jump from a guard tower to avoid being caught.

Growing tired of the arrangement, after his third payment the soldier wanted the robe, but I refused. Unhappy, he ordered me to the guard shack. There were seven of the soldier's associates waiting for me. They proceeded to try to slam me over their shoulders and break some bones, which would have made me unfit to work and would have almost certainly ensured my demise. Fortunately, when I was stationed in Hawaii I had learned some judo at the YMCA and was able to survive their bludgeoning.

The soldier who was buying the robe was infuriated. I was forced to kneel on a wooden bench on my shins, and he went outside and brought in a 2x2 board about six feet long. He got behind me and swung the club at my back. I watched him out of the corner of my eye, and at the last instant I rose up and took the blow on my buttocks. The biggest soldier stepped up and grabbed the club and swung it at me with all his might, hitting me across the back and knocking me onto the concrete floor.

My customer was still not satisfied, so next he went to the pot-bellied stove that warmed the shack and took out a red-hot poker. He made me kneel on the board and came at me as though he was going to burn my eyes out. All I could do was close my eyelids as tight as possible. I could feel the heat and see the light from the poker. He stopped. Then he came in behind me and was about to brand my neck. Again I could feel the heat closing in and was prepared for the worst when a gruff order filled the room. He instantly dropped the hot iron, but as it fell, it burned my leg.

The voice had come from the camp sergeant major who, after I opened my eyes, I could see was standing behind my tormentor with a scowl on his face. He motioned for me to come with him. He had been outside watching through the window. When we reached the corner of the building, he stopped suddenly and I bumped into him. He turned to me and asked if I would treat Japanese soldiers as bad if our places were reversed. I pondered what I should say and told him what he wanted to hear. "Hell yes! Worse!"

He reached down and picked up a wooden bucket from under the downspout. Smashing the coating of ice on its surface and grinning, he dumped it over my head. "There," he said, "that ought to cool you off. Now get back to the barracks!"

Each morning as we lined up to go to work, there was always the two-wheeled cart loaded with the dead. When we returned, it was loaded with little white crocks full of ashes of the boys that had been cremated the day before. There were hundreds of the little crocks.

We were beaten and starved and abused, and I was determined that somehow I would make a record of what was being done to us. After some thought, I decided to build a pinhole camera and take pictures of the starving and dying Allied POWs. I figured it was the only way that anyone would ever believe what we had endured.

As a young boy, my brother Art had shown me how to build a camera. My first step was to scrounge the camp for scraps of cardboard and tape. Finally I had enough material and I was able to put something together. It was nothing fancy, but I knew it would work. The bigger problem would be obtaining the necessary photographic plates.

For this I turned to our interpreter Nishi. He was friendlier than most of the others, perhaps because he was American by birth and had been raised in San Francisco. Just before the outbreak of the war, he had been duped into returning to Japan and once there was inducted into the army. Although he was clearly afraid to get involved with me and my camera, after weeks of arm twisting I was able to convince Nishi to get me the supplies I needed.

Obviously, I could not walk around with a camera like a tourist. I quietly conspired with Martin Gatewood, one of the Wake Island defenders, to set up a security screen so I could take my pictures undetected. We decided only Marines would be on the security detail because we knew we could depend on them. Our spotters devised a plan for whistling to keep us aware of the enemy positions. Dr. Markowitz, the camp doctor, agreed to get volunteer patients from the hospital assembled so that we could carefully document the various conditions we all suffered from. The process was slow and dangerous for us all.

Once I had taken the pictures, the next hurdle was finding a dark room to change the plates after each exposure. After some searching, I discovered the ideal spot--the Japanese soldiers' bathtub. It had a 4x8 sheet of plywood to cover it when not in use during the day.

Satisfied with the photos of the sick prisoners I had taken, I wanted to use my last plate to take a picture of the power plant on the edge of the camp to show how we were being used as human shields. The ideal location to take the shot was a machine gun tower.

We knew exactly when the guard would come down from his perch to take his midday break, so as soon as he came down on the appointed day I scurried to the top. I was not quick enough. As I was at the top of the tower, a shrill whistle announcing the guard's return broke my concentration. I knew there was no time to come down the ladder rung by rung, so with little other alternative I jumped. Gravity was kind. I only weighed about 85 pounds and managed to make the jump in one piece.

I made my way to the "darkroom" to change the last plate and was nearly caught. Just as I was raising the plywood to leave, I saw one of the guards standing in the doorway. I ducked back down. My heart was beating so hard, I was afraid they could hear it. I rested my head against the cool concrete and tried to compose myself. By the time I had the courage to lift the board enough to steal a glance at the doorway, the guard had moved away.

Later, I smuggled the plates to Nishi. True to his word, he had them processed, made five copies of each exposure and then had them smuggled back to me. He was too nervous to hide them for me. We both knew that being caught with the camera or the pictures would have meant death for both of us.

My images safely hidden, I continued with my work and hoped to survive until the end of the war. on August 8, 1945, the factory was the target of a huge air raid. Everything that could burn was on fire, and the air was filled with thick black smoke and ash. It was like being in hell.

As terrible as it was, the inferno may have saved my life. As the smoke billowed skyward, the wind blew it out to sea for a while, but by the next day the wind changed direction and soon the camp was smothered in a thick blanket of smoke. Under usual circumstances this would not have mattered much, but August 9 was not a normal day. Although I could not possibly know it at the time, flying overhead was the B-29 Bockscar, which carried a single bomb in its bomb bay: the "Fat Man" atomic weapon bound for Kokura.

Fortunately for all of us in the camp, as Captain Kermin K. Beahan, the bombardier, approached the city, he was unable to see the target. With strict orders to not bomb by radar, and with fuel running out, the pilot, Major Charles Sweeney, decided to fly to his secondary target and drop the bomb there. A change in the direction of the wind meant that Nagasaki was incinerated and I was spared.

Soon after that second atomic bomb attack, our tormentors scampered away like rats in the night and left us to our own devices. Not long afterward, B-29s again appeared in the skies overhead. This time there were no bombs, but canisters loaded with supplies. It was "manna from heaven." In those canisters were things we had only dreamt of for years. There was food, candy, cigarettes, uniforms, shoes, socks, underwear, soap and razors.

As odd as it may seem, my Marine Corps training took over almost immediately, and I again became the guard I had been some four years earlier. To prevent complete chaos, I directed the Marine Guards to go out and collect everything the planes dropped and put it in one of the unused barracks buildings, to be distributed to the section leaders and the galley. Medical supplies were directed to the hospital. It was time to get to work and back to business.

About two weeks later, after I had the commissary up and running smoothly, I went to a man named Kirkpatrick, who was in charge of the galley. I told him I was leaving camp. After all, there was a train that ran right in front of the steel mill. Waiting around to be liberated was not for me. Two submarine sailors, Courtney and Roberts, found out I was going to leave and let me know they wanted to come along. I told Kirkpatrick that he needed to assign replacements for us. Kirkpartick with his Irish humor said, "Don't go Terence, you'll start World War HI!" No use, my mind was made up.

A Major Dorris had come to camp after the bombing, and before leaving I went to him to show him my pictures. Gatewood, the security man, came along to back me up. Amazed but convinced, Dorris typed up a statement on camp stationery releasing the plates and pictures to me. I wanted to make sure they made it into the hands of the proper authorities. We left the camp on the train and made our way to Yokohama. Our first friendly encounter was with two MPs who were a sight for sore eyes.

We were then taken to a building where we could be debriefed. I gave the Army, Navy and the FBI each a copy of the pictures I had taken in the camp and trusted that they would do something with the proof I had given them.

Shortly after my interrogation, I was sent on my way. Things were going along smoothly for me up till then, but during a stopover in Guam I was debriefed again. This time I was given a gag order to sign. It said that I was not to discuss what I knew about our treatment in the camp. I could do nothing with the pictures I had risked my life to take, and it was not only me; everyone in the pictures, and all the Marines who kept watch while I took them, had to sign gag orders as well, and now our efforts were for naught. I was angry and upset, but I was also a Marine, and Marines follow orders. I signed the order.

I resumed my life, as did others who had suffered, and decades slipped by, our story as Japanese slave laborers remaining untold. We had all signed the order and many kept the secret, our wives and children never knowing of our suffering and the secrets taken to the grave.

I never forgot, however, and kept with me my own copies of the pictures to remind myself of what we had endured. Now, after more than 60 years, I think the secret has been kept long enough. It is time to share the story of my pinhole camera and the pictures it took, so that the American people will know something of what their husbands, sons, fathers and friends endured. Their sacrifice can never be measured. It is too great.

Sunday, August 13, 2006

Japan Biz Is A Little Bit Better

Industry insiders in the world's second-biggest recorded music market are taking a cautious view on seemingly positive first-half figures that show trade shipments up in volume and value.

According to labels body the Recording Industry Assn. of Japan, shipments of recorded music (including music videos and DVDs) in the first six months of 2006 reached 142.7 million units, a 3% increase over the corresponding period in 2005.

The RIAJ represents 42 companies, including all the major label affiliates. It says trade value also increased, rising 2% above the 2005 period to 166.9 billion yen ($1.4 billion).

"We believe the figures will continue to rise [in 2006], but it's difficult to say by how much," a RIAJ spokesman says.

Industry observers agree that the upward trend was a result of a strong domestic release schedule and increased demand for music DVDs. The figures do not take into account digital sales data, which the RIAJ is due to release later this month.

BMG Japan communications and international affairs director Giles Duke calls the increases "quite significant," but cautions against raising expectations for the rest of the year. "I think it will probably even out," he says. "The market will probably stabilize toward the end of the year, but it seems the downward trend is bottoming out."

In calendar 2005, the value of shipments fell 2% to 422.2 billion yen ($3.7 billion), despite a rise in volume of 2% over the prior year to 357.2 million units. That compared with declines of 4% in volume and 5% in value for 2004.

HMV Asia Pacific president Paul Dezelsky says that the new data may be "a sign of the market bottoming out," although he notes that the first half of 2005 was "particularly bad, especially February to March."

This year's strong first half included albums by Def Tech (Ill Chill), Remioromen (Victor Entertainment), Utada Hikaru (Toshiba-EMI) and Kumi Koda (Avex).

RIAJ figures show the volume of domestic repertoire shipments rose 3% to 103.8 million units, with value up 6% to 123.8 billion yen ($1.1 billion). Domestic repertoire accounts for 72% of sales in Japan.

"There were 3 [million] or 4 million-sellers and that helped boost the overall market," Duke says. "Boy bands, for example, were quite strong."

While domestic acts were driving growth, shipments of international repertoire fell 7% in value to 43.1 billion yen ($369.5 million). That came despite a 3% rise in shipments. Duke and others suggest this reflects intensified price competition by labels.

Local manufacturers have been lowering album prices—particularly for new or developing artists—to compete with imports. Prices for catalog material have also been reduced in an attempt to maintain consumer interest.

"The pricing of DVDs is [also] coming down," Duke says, "and that could influence the reduction of value for international repertoire."

Reflecting Duke's comments, RIAJ figures show that shipments of music-related videos and DVDs in January-June rose 47% to 23.3 million units, although wholesale value showed a gentler rise, up 16% to 26.8 billion yen ($230 million).

Despite the positive figures, some industry sources are not convinced that the business has turned around. A spokesman for leading independent Avex Group says, "The situation is still unpredictable and it is too early to be optimistic. In our business plan, we have estimated a year-on-year [sales] decrease of 3%-8% in the next three years. We see no substantial evidence of a positive change in the market."

Another source is even less enthusiastic. "While there have been some success stories, overall, the mood of the industry remains pretty glum," he says. "I would like to think that there will be positive growth, but it is safe to say that few industry people expect big growth, and many would feel relieved if there is no further decline."

By: Varcoe, Fred, Billboard, 00062510, 8/12/2006, Vol. 118, Issue 32

Tuesday, August 08, 2006

Has Japan Outgrown the Big Mac?

By: Rowley, Ian, Business Week Online, 8/7/2006

For most of the past two years, Eikoh Harada's jump from iMac to the Big Mac has looked like a pretty bad move. In March, 2004, Harada quit as president of Apple Computer's (AAPL) Japanese business and took over as chief executive of McDonald's (MCD) in Japan. Although he had earned praise for turning around Apple's operations, many doubted he had what it took to combat slumping sales and profits in McDonald's second-biggest market after the U.S.

Until recently, it looked as if the doubters might be right. True, under Harada, annual sales have risen 8.5%, to $2.8 billion, reversing a three-year decline. But last year, net profits slumped 98%, to a measly $515,000. The weak earnings were partly the result of one-off restructuring costs, but a big factor has been a strategy, introduced in April, 2005, of pricing Big Macs, fries, and other items at just 100 yen [85]. "The cheap burgers attract customers but don't contribute to earnings," says Yasuhiro Matsumoto, an analyst at Shinsei Securities in Tokyo.

These days, though, it appears Harada may be onto something. McDonald's Japan has outperformed a sluggish market for fast food and posted increases in same-store sales of as much as 11.6% every month since February. Perhaps more important, customers are spending more on each visit. On Aug. 2, the company posted a 650% rise in operating profits to $10.7 million for the first six months of year, prompting Harada to raise his full-year sales projection by $35 million.

SOMETHING FISHY.

McDonald's now says sales for 2006 could be as much as $3.08 billion. Net earnings, which Harada didn't revise, could jump to as much as $21 million. That's helping lift the fortunes of McDonald's, which owns half of the Tokyo-listed McDonald's Holdings [Japan]. Announcing second-quarter sales results on July 17, McDonald's Corp. CEO Jim Skinner cited "strong performance in Japan and Australia."

Harada's efforts have been helped by new sandwiches better tailored to Japanese tastes. One hit has been the Ebi Filet-O, a shrimp-burger that generated sales of 10 million in the first three months after its launch last October. New salad plates introduced in May, called Salad Macs, are proving just as successful, despite prices around $5. "The positive customer reaction to the higher prices is important," says Seiichiro Samejima, an analyst at the Ichiyoshi Research Institute in Tokyo.

Still, rebuilding the brand will take more than just a few menu changes. When McDonald's Japan listed in Tokyo in 2001, the company aimed to have 10,000 restaurants by 2010. Today, there are 3,600. At 15.70, the stock trades at less than half its initial public offering price and, so far, hasn't really budged despite the rising sales. Operating margins, which regularly topped 8% a decade ago, remain at about 2% today.

GROWING UP.

It seems the Japanese love affair with McDonald's has peaked. Today young Japanese are happy to pony up for a Caramel Frappuccino from Starbucks (SBUX) or a bowl of noodles at a local mom-and-pop eatery. "I don't go [to McDonald's] that often," says Takeshi Miyazoe, a video-game developer in Tokyo. "There are so many other good restaurants."

Another factor has been the growth of convenience stores. Today, some 30,000 sell everything from sausages to sushi, and they account for a third of Japan's $62 billion fast-food market. To hit back, Harada says McDonald's will continue to improve the menu and will keep more restaurants open 24 hours a day. Another concern is Japan's demographics and rebounding economy. With fewer and fewer children being born in Japan, McDonald's traditional customer base is shrinking.

UPMARKET COURSE.

And with deflation seemingly at an end and consumer confidence growing, the Japanese may be willing to pay more for food and be looking for higher-quality fare than McDonald's. "With the macroeconomic environment picking up, the quality of the food becomes more important and people care less about price," says Yukimi Oda, an analyst at Morgan Stanley in Tokyo.

Harada is keen to steer McDonald's further upmarket. "We have to graduate with our customers," he says. McDonald's now offers free wireless Internet at 2,660 restaurants, increasing traffic as salarymen surf while they sup. More radically, Harada is considering a new type of restaurant with fancier menus and interiors, though he declines to provide details. "But of course," he says, "our Golden Arches will stay." Shrimp burgers and wireless connections, it seems, are just the beginning.

Global Reach - Japan

Libraries in the Yokohama area are adopting security measures because of increasing problems with stolen and defaced materials. About 1% of the 3.59 million books owned by 18 municipal libraries disappeared in 2005, amounting to a ¥28.7-million ($246,000) loss. Recipe books, travel guides, newspapers, and maps are the most frequently stolen or damaged items.

--Daily Yomiuri, June 5.

Monday, August 07, 2006

Across the Great Divide

In the world’s most politely xenophobic culture, Victoria Jameshas a blissful moment of belonging

Across the Great Divide (Photo)


Ancient ritual: a Japanese woman relaxes in an onsen, or hot spring bath

Japanese society is like being back in the playground: there’s an in-crowd, and there’s everybody else. But unlike at school, it doesn’t matter how many Rolos you share or marbles you trade; if you’re not Japanese, you won’t ever get “in”.
That does not stop us trying, we foreigners who, for varying periods of time (five years, in my case) choose to make our home in this most politely xenophobic of cultures. And I guarantee that any account you’ve ever read by a non-Japanese of their time in Japan will contain at least one such moment when, miraculously, they stepped over the invisible line from outsiderhood into acceptance.
For men, it generally comes in a small drinking den where they’ve become a regular with a group of boozing buddies who carry butch names such as Tetsu and Hide. Sometimes it happens in the white-clad brotherhood of the martial arts dojo. Women often find their way in through marriage to a Japanese man, and settlement in some senselessly picturesque mountain village. (They are kidding themselves, though, as they will discover the first day their child comes home from school in tears, having been taunted for not being a “proper” Japanese.)
Yet this line between uchi (“inside”) and soto (“outside”) by and large isn’t drawn with malice. It is simply that foreigners are, by their very definition, soto. The word meaning “foreigner”, gaijin, is composed of the characters for soto and for “person”. Perhaps that is the reason so many of us, stubbornly optimistic, never stop trying to cross that line.
Small epiphanies happen along the way. My first came one morning on the jam-packed Yamanote Line – because, yes, everything you have heard about the men in white gloves who push people on to trains is true. On those days when bad weather forced me to use public transport, I would remain absolutely rigid, fighting a loser’s battle to minimise bodily contact, scuffling my feet in an effort to retain my balance.
One day the effort was too much. I nestled my cheek against the shoulder of the salaryman in front of me when we accelerated. When we braked, I swayed dangerously into the tiny OL (office lady) behind. My body was pulled at angles so extreme, I could never have righted myself, but I trusted in the inertia of the mass around. For the three stops I was on the train I closed my eyes and experienced the comfort of the plankton in its cloud. A Zen master might have called it satori. I stumbled off the train, my body drunk on its temporary loss of control.
As an uchi-soto epiphany, that train journey probably didn’t count. None of the sweating Japanese commuters around me was aware of the blissed-out gaijin in the crowded train. When my moment came, it was far more public and in the most unlikely place, at the very heart of Japan’s traditional culture.
Memoirs of a Geisha readers, take note: I am not talking about Kyoto. For millennia before their beauties first painted their faces white, their teeth black, and their mouths into a tiny red rosebud, the Japanese have been immersing themselves in onsen, or hot springs. One resort in particular, Dogo Onsen, on the sleepy island of Shikoku, where modernity has largely passed by, is older than Buddhism itself.
A couple of days before arriving at Dogo, I had experienced my most soto moment yet: spat at in the street for being, so the spitter thought, an American, a few days after a US military submarine had accidentally sunk a local fishing trawler full of schoolchildren. Dogo Onsen I had put down as a historical curiosity – it has a starring role in the country’s best-loved book, Botchan, a novel set in the Meiji era, about a callow young Tokyoite sent to teach in the sticks. I’d make an overnight stop, nothing more.
The Japanese bath is set about with ritual. You must be spotlessly clean before venturing near the pool. To achieve this, you need a cypress bucket and stool: the former is for sluicing, even though you first wash under a power shower, the latter, impossibly small (gaijin often fall off), is to squat on while you scrub and scour. Though onsen remain popular leisure venues, the westernisation of the Japanese home has left only the elderly with the habit of still making onsen trips for everyday cleanliness.
Stark naked, I slid back the wooden doorway and stepped in a cloud of steam into Dogo’s Kami-no-yu (“bath of the gods”). When the mist parted, I realised that not only was I the only foreigner in the bath, I was the only woman under the age of 70. The muttered hubbub died away to silence. From all corners, the obaasan (grandmothers) stopped what they were doing –
chatting, thwacking their joints with sturdy poles, simply steaming under the pool spout – and watched me. As much out of place as a Muggle in Hogwarts, I plonked down my stool and set to. Ten minutes later, scrubbed till it hurt and sluiced like a fishmonger’s stall at Tsukiji Market, I looked around anxiously. I had performed correctly; not a single wizened head was turned in my direction. Taking no chances, I repeated my wash before slipping into the scalding pool.
I stayed several more days, hypnotised by the collective mentality of the bath – a vanishing world of women that, in Britain, only the Romans ever knew. On my last night, our peaceful ablutions were disturbed when the door banged back violently, accompanied by a gale of raucous giggling. The noise was followed shortly by two young beauties with the rough accents of Osaka.
Their hair was bleached blonde; their skin was fake-tanned orange; they had panda eyes and (this is the crucial part) not the slightest idea what they were doing. As one, our heads swivelled. Silence. The girls splashed and shrieked under the shower. One fell off her stool and shrieked some more.
Then the hissing began, not as one would at a pantomime villain, but a slow, sucking intake of breath between clenched teeth that is the ultimate Japanese expression of disapproval. The old ladies looked at each other in indignant consensus. No bigger than a child, the wizened dame soaking beside me turned to me and hissed. I sucked my teeth and nodded repressively.
Satisfied, she turned to hiss at the companion on her other side. I did likewise. I’d crossed over. I was utterly uchi. l Victoria James is a television producer.

New Statesman, 8/7/2006, Vol. 135 Issue 4804

Tuesday, August 01, 2006

Japan Goes Homegrown

By: Schilling, Mark, Variety, 00422738, 7/31/2006, Vol. 403, Issue 10

Once trundling toward oblivion, the Japanese movie biz has roared back in the past two years, making more pics, scoring more hits and taking more market share away from Hollywood. Is it a bubble about to pop -- or a tidal shift in audience taste, spelling the end of Hollywood's dominance in its biggest international market? More than a few industry observers think it's the latter, and they have the numbers to prove it.

After hitting a postwar low of 230 releases in 1991, the Japanese industry slowly upped production during the next decade. In 2004, the number of titles jumped to 310; in 2005 it hit 356 -- the highest since 1976. Meanwhile, more films were soaring beyond the ¥1 billion ($8.7 million) mark -- 26 in 2005 compared with 20 in 2004.

Also, last year the market share for domestic pics climbed to 41.3%, the highest since 1997, when Hayao Miyazaki's monster hit "Princess Mononoke" boosted the total.

And the hits keep on coming. Starting with "Yamato," a WWII epic that has earned $43 million since its mid-December release, 2006 looks to be the local industry's best year in decades. Of the top 10 B.O. hits released in the January-May period, six are Japanese. Heading the list is sea actioner "Umizaru 2: Test of Trust," which is expected to finish its run with $78 million.

Toho, which distributed all seven of the pics, earned $265 million in this period, vs. $221 million for the five foreign majors -- Buena Vista, Sony, Warner, Fox and UIP -- combined.

Why the upsurge? Faced with a permanent downturn in their core business as viewers migrate from the tube to the Internet, TV webs are seeking alternative revenue streams, beginning with feature films.

"A lot of the hits are from the networks," says film critic and journalist Hiroo Otaka. "They know how to make films audiences want to see, and they're good at publicizing them. They're the big reason Japanese films are doing so well now."

The leader is Fuji TV, whose "Bayside Shakedown" franchise -- four comic actioners about Tokyo cops -- has grossed north of $300 million. Under the direction of uber-producer Chihiro Kameyama, Fuji has crafted hits that are audience- rather than auteur-oriented, made by many of the same young directors and directors who worked on the web's ratings winners.

The other webs also are pumping out hit pics this year, including TV Asahi's comic mystery "Trick 2," TBS' musical drama "Memories of Matsuko" and NTV's two-part horror pic "Death Note."

Together with Fuji TV, they blatantly flog their films on their own airwaves in ways that might raise eyebrows in the U.S. -- but that get the word out effectively to their enormous audience. (The four major Japanese webs face relatively little competish for eyeballs and ad revenue from cable and satellite TV.)

The young core audience, especially the women in their teens to 30s who drive so many trends, are not only being pulled into the theaters by the webs' promotion, but pushed by deeper changes in pop culture tastes. "Four or five years ago Japanese pop music became very popular with young people, far outselling Western pop," explains NTV producer Yasuhiro Mase. "I've been seeing the same thing happen with films over the past couple years -- Japanese films are becoming more popular than Hollywood's."

Language, Mase believes, is a main driver of this shift. "(Music fans) are paying more attention to lyrics," he notes. "For example, Western rap music used to be popular, but now Japanese rap has completely taken over because listeners can understand the words. … In the same way, audiences are more easily moved by Japanese films, because they can understand them directly -- they don't have to read subtitles to get the message."

Also, more Japanese films, such as the 2004 megahit weepy "Crying Our Love in the Center of the World," are successfully grabbing auds by the heartstrings. "Hollywood makes the same kinds of CG-driven films again and again, and audiences are getting tired of them," says critic Otaka.

"What they want are dramas and love stories with a big emotional impact, but Hollywood doesn't make them anymore. The Japanese film industry does."

Finally, the multiplex building boom, which has brought the number of screens from a low of 1,734 in 1993 to nearly 3,000 this year, has proven a boon for the local biz. Japanese films that might once have opened in a handful of major-city theaters now are being released on 200 or more screens, many in small cities and suburbs.

Fans who once rarely made the long commute to a downtown theater now pop over to the local plex -- and buy tickets for Japanese pics. Though they're only occasional moviegoers, they know the stars from popular TV dramas, the pics themselves from all the TV ads and promo shows -- and they're in a familiar language, to boot.

JAPANESE TOP 10
2006 B.O. winners (through July 23)

Legend for Chart:

A - Pic
B - Japan B.O.(*)

A B

1 The Da Vinci Code 76
2 Umizaru 2: Test of Trust(†) 61
3 The Chronicles of Narnia 61
4 Hotel Avanti(†) 52
5 Mission: Impossible III 30
6 Flightplan 28
7 Doraemon(†) 28
8 Detective Conan(†) 26
9 Death Note Part 1(†) 22
10 Trick 2(†) 18

(*) in millions $
(†) local title